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30th September 2022, 21:06 | #11 |
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Ones I want to see
Last edited by ghty67; 2nd October 2022 at 14:59.
Classic Universal monsters Dog Soldiers Happy Death Day Drag me To Hell Suspiria Freaky The Birds Freaks Evil Dead 1 & 2 |
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1st October 2022, 00:41 | #13 |
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What is your favorite scary movie?
George Romero's Dawn of the Dead |
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1st October 2022, 08:20 | #14 | |
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Scariest? that is a hard one because after all of these years I am jaded by the numerous horror films that I have consumed. I can't recall a single film being scary from begging to end but I do remember certain moments that gave the mix of both chills and a sense of dread. 1408 (2007) More scary moment to come as I think of them. |
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1st October 2022, 16:49 | #15 |
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Horror is my second favorite style of movies, 1st being porn movies.
My top horror movies would be something like The Evil Dead The Cook Return Of THe Living Dead Nightmare on Elm Street The Blair Witch II - Book Of Shadows The Devil's Rejects Halloween (Rob Zombie Edition) Texas Chainsaw Massacre (original) This is always my favorite time of the year!
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Last edited by rbn; 3rd October 2022 at 15:55.
To Each Their Own 2024 Hardcore Debut Girls here! Alysa Vs Lords Of Acid Music Video 171+ Archive of my Wallpaper Creations ^2024/06 Matty/Ardelia/Milena Angel/Dolly Little/Alisabelle Shrima Malati/Alysa/Anjelica/Gina Gerson NIN - YZ - 00000010 - meMIXes -The Slip - by me I will reUp files to another host. |
24th April 2023, 07:16 | #16 |
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Modern Body Horror Is Turning Breastfeeding Into an Act of Terror
The New York Times yahoo.com Kyle MacNeill April 23, 2023 Brandon Cronenberg’s body-horror “Infinity Pool” is a movie that leaks. It’s as viscous as it is vicious, fueled by endless fluids: blood, sweat, tears, urine, semen and vomit. When James (Alexander Skarsgard) and his wealthy wife, Em (Cleopatra Coleman), head to a luxury resort, they uncover a secret world of hedonism where rich tourists led by Gabi (Mia Goth) plumb new depths of depravity. It’s the ending, though — the movie’s most tender moment — that sticks. Following a feast of ultraviolence, Gabi bares her breast, covers it in blood and lets James suckle. Breastfeeding, it turns out, is the most horrifying act of them all. While promoting the film, Skarsgard quipped that “being breastfed by Mia isn’t something you get to do very often as an actor.” Granted, but it’s increasingly less rare. A slew of recent horror movies and series, including “Infinity Pool,” “Barbarian,” “Titane” and “The Baby,” have featured erotic lactation, brutalized nipples and demonic nursing. Whether it’s a source of simplistic scares or something richer, breastfeeding is being used to create viral horror moments, and, in the case of “Barbarian” and its $45 million box office take, cash cows. There’s no fixed formula for creating these scenes, “Infinity Pool” intimacy coordinator Casey Hudecki explained. “I have facilitated the use of prosthetic breasts, prosthetic nipples, breastfeeding doubles, cheating camera angles to hide a lack of contact, or even taping a soother to a breast,” she said, referring to a pacifier used to provide comfort while nursing. But she added, “No matter what our feelings are about breastfeeding, there is a primal or visceral connection to it, so it’s a good way to get an audience off balance.” “Barbarian” delights in this disorienting effect. In Zach Cregger’s hit, Airbnb guests Tess (Georgina Campbell) and Keith (Bill Skarsgard, Alexander’s brother) uncover a sex dungeon complete with a TV showing a breastfeeding tutorial on a loop. Then they’re attacked by the Mother, a pendulous-breasted product of incest. When their host, AJ (Justin Long) — who has been accused of sexual assault — heads home, he is “adopted” by the Mother, too. In several intense scenes, AJ and Tess are forced to feed from the Mother’s bottle and, when AJ rejects it, her breast. “It was the strangest self-tape that I’d ever sent to someone that I had just met,” Matthew Patrick Davis, who plays the Mother, said in a video interview. “I was such a big fan of Justin Long. I didn’t think then that in 20 years I’d be forcibly breastfeeding him in Bulgaria.” (During the interview, he showed off a collection of fan art depicting the breastfeeding scene.) For Davis, it’s the twisted situation that makes breastfeeding in “Barbarian” especially sinister. “The act itself is beautiful and natural and primal, so taken into a different context it becomes strange,” he said. But he argued that the “pretty creepy” image carries larger significance, conveying a sense of revenge for the rapes the Mother endured. When he’s forced to breastfeed without his consent, “AJ gets a taste of his own medicine that happens to be mother’s milk,” Davis said. Others aren’t so convinced that “Barbarian” is doing something feminist. For Erin Harrington, the author of “Women, Monstrosity and Horror Film: Gynaehorror,” the Mother is just another “abject maternal body acting as a punching bag,” she said, adding, “Those images are blatantly designed to disgust, but in a manner that I don’t think is particularly subversive.” She was far more impressed by “Titane,” Julia Ducournau’s electric body horror that won the Palme d’Or in 2021. While it doesn’t feature literal breastfeeding (aside from some sexual nipple biting) it does show the main character, Alexia (Agathe Rousselle), pregnant after having sex with a car, leaking motor oil from her breasts. “I found the images really provocative and celebratory,” Harrington said. Breastfeeding in horror didn’t jump out of nowhere. It’s featured in 1960s and ’70s classics like “The Hills Have Eyes” (a mutant forcibly breastfeeds a woman), “The Wicker Man” (a nursing mother holding an egg appears in a dream sequence) and “Rosemary’s Baby” (her demon child is fed her milk). The most disembodied example is Woody Allen’s horror-spoof vignette in “Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)”: a gargantuan breast on the loose from a lab sprays everything in its path with fresh milk. Several movies and series have also turned the infant into the villain. In Paul Solet’s 2009 “Grace”, a stillborn baby miraculously comes to life but craves blood rather than milk, lacerating her mother’s bosom to get it. Last year’s dark comedy-horror series “The Baby” featured a particularly eye-watering dream scene in which the titular murderous infant bites off her mother’s nipple as soon as he starts breastfeeding. In “Infinity Pool” and “Barbarian,” neither an infant nor an actual mother is involved, warping the nourishing act even further and creating a sense of perversion. “Horror puts a twisted magnifying glass on very natural images, like breastfeeding, and amplifies the complicated feelings that arise from motherhood,” Anna Bogutskaya, the creator of the feminist horror podcast “The Final Girls” and author of “Unlikeable Female Characters,” wrote in an email. But why does it provoke such a visceral reaction? Back to those endless liquids; most of us find oozing fluids disconcerting. “Culturally we don’t like it when bodies are leaky, and we especially don’t like it when biologically female bodies are leaky. Horror loves leaky bodies in general,” Harrington said. Or as Sarah Arnold, the author of “Maternal Horror Film: Melodrama and Motherhood,” put it, “The ‘leaking’ body lacks boundaries; it is literally fluid and in flux.” A sense of the sexual also debases breastfeeding in horror. “Infinity Pool,” “Titane” and “Barbarian” all blur the lines between sex and motherhood. “We have a cultural short-circuit between the two, especially when we consider breasts and nipples as both source and site of sexual pleasure,” Harrington said, while Hudecki, the intimacy coordinator, suggested that “adding a layer of kink may create a visceral dissonance.” There’s a power dynamic at play here. Bogutskaya argued that the scene in “Infinity Pool” is about “female domination, not nurturing.” When James becomes, as Mia puts it, a “sucky baby,” he turns submissive and obedient. In “Barbarian,” similarly, AJ’s status is weakened, Davis said: “He’s been infantilized and his agency has been removed.” Of course, totally natural breastfeeding can be met with horror, where public nursing is perceived as “largely abnormal in society,” Arnold said. In this sense, just representing breastfeeding in any form can be provocative. “Horror gives us something that other genres can’t: a sometimes dark, sometimes unpleasant take on emotions and experiences that are still too taboo to discuss openly,” Bogutskaya said. Arnold, however, was wary that in these films, violent, unnatural representations have dangerous “staying power” and can affect how we see a natural act. Whether breastfeeding is a source of horror isn’t just dependent on the director. It can be complicated for many mothers, too. “Having spent years breastfeeding my children, I’m sure I view it very differently than a man might,” Hudecki said. “For me it was a primal need to feed my child, it was a beautiful time of connection, and it was also an endless, often painful, prison of responsibility.” It’s this mass of contradictory effects — the innocent, the infantile, the sexual, the healthy — that makes for such a fertile source of inspiration. In the end, the imagery forces us to confront the scariest thing of all: our own origins. “These images remind us of that — that we have come from another’s body, that we have at some stage been viscerally connected to another,” Harrington said. “We like to think of ourselves as contained individuals. Our bellybuttons say otherwise.” |
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9th May 2023, 04:35 | #17 |
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I'm surprised the article didn't mention the movie "Grace" (2009), which is about a mother taking care of her undead baby by feeding it blood.
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