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| Silver Screen Goddesses Pictures and videos of screen and stage actresses born before 1945. |
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19th August 2022, 20:37
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V.I.P.
 Clinically Insane Join Date: Feb 2022
Location: Beauvais (60000 - Oise) - France
Posts: 2,369
Thanks: 2,589
Thanked 5,827 Times in 2,345 Posts
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Constance Bennett
 Constance Campbell Bennett (October 22, 1904 – July 24, 1965) was an American stage, film, radio and television actress and producer. She was a major Hollywood star during the 1920s and 1930s and for a time during the early 1930s, she was the highest-paid actress in Hollywood. Bennett frequently played society women, focusing on melodramas in the early 1930s and then taking more comedic roles in the late 1930s and 1940s. She is best remembered for her leading roles in What Price Hollywood ? (1932), Bed of Roses (1933), Topper (1937), Topper Takes a Trip (1938), and had a prominent supporting role in Greta Garbo's last film, Two-Faced Woman (1941).  Constance and Joan - 1929 She was the daughter of stage and silent film star Richard Bennett, and the older sister of actress Joan Bennett. Constance Bennett - Wikipedia : http://en.wikipedia.org/wiki/Constance_Bennett Constance Bennett - IMDb : http://imdb.com/name/nm0000909/   |
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19th August 2022, 20:41
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#2 |
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V.I.P.
Clinically Insane Join Date: Feb 2022
Location: Beauvais (60000 - Oise) - France
Posts: 2,369
Thanks: 2,589
Thanked 5,827 Times in 2,345 Posts
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 "Independent, outspoken Constance Bennett, the first of the Bennett sisters to enter films, appeared in New York-produced silents before a chance meeting with Samuel Goldwyn led to her Hollywood debut in Cytherea (1924). She abandoned a burgeoning career in silents for marriage to Philip Plant in 1925; after they divorced, she achieved stardom in talkies from 1929. The hit Terre commune (1930) launched her in a series of loose lady and unwed mother roles, but she really excelled in such sophisticated comedies as Les amours de Cellini (1934), Quatre femmes à la recherche du bonheur (1936), Le couple invisible (1937) and Madame et son clochard (1938). Her classy blonde looks, husky voice and unerring fashion sense gave her a distinctive style. In the 1940s she made fewer films, working in radio and theatre; shrewd in business, she invested wisely and started businesses marketing women's wear and cosmetics. Loving conflict, she feuded with the press and enjoyed lawsuits. Her last marriage, to a U.S. Air Force colonel, was happy and gave her a key role coordinating shows flown to Europe for occupying troops (1946-48) and the Berlin Airlift (1948-49), winning her military honors. Still young-looking, she died suddenly at age 60 shortly after completing the last of her 57 films." Rod Crawford  |
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